Fine Alpine Art
Mountain photographer

Mountain photography in black and white At the heart of the art of Thomas Crauwels

Written by Thomas Crauwels
photo dent blanche and its normal route alpine mountain landscape

At a time when color shines, black and white spreads its wings. Giving the high mountains unrivalled depth. Revealing the essential, black-and-white mountain photography guides our gaze through light and shadow to encounter a dazzling, masterful nature. That's why I chose it. That's why I've decided to devote my life to it.

Of rock and ice: Black and white at the origins of a thousand-year-old nature

Imagine a world where nothing is the same. I soar through the Alps like a rainbow. From verdant valleys to austere peaks, the mountains change with my every step. At an altitude of 4,000 metres, color has no place. Only nuances create the landscape. From bluish hues to anthracite greys, nature returns to its source. To the origins of life, to the substance of all things.

Photographing the mountain in black and white seems to me to do it the greatest honor. Through subtle, intense hues, my work pays tribute to its flamboyant history. When its rocks emerged from the bowels of the Earth. When the Alps were forged by sheer force. When ice sculpted their huge flanks. And when the skies opened up to light.

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Thomas Crauwels in the mountains

When I photograph the mountains in black and white, I catch a glimpse of the range of grays that graze their walls. The contrasts, whether Soft or powerful, seem to whisper every secret of the Alps to us. Lines and textures reveal the richness of their rocks. Magmatic, sedimentary or metamorphic, they intermingle and overlap under fresh, thick, satiny snow. Ice, meanwhile, is almost sculptural. Back to the elements, to raw matter, black and white guides us to the primordial dawn. In search of a demanding, untamed nature for whom man is no more than a passing guest.

The living mountain and its essence revealed: Portrait d'artiste at summit des Alpes

But beyond the journey it takes us on through time, I love black and white for the way it reveals the soul of the high mountains. To bring it to life, to sublimate its breath. Aren't the most beautiful portraits made in black and white? The most beautiful things are often born of simplicity. Black and white shapes the mountain like a sculptor shapes his work. Playing with the elements, it redraws summits, their edges and their glaciers. And I have the deep feeling that nothing matches his art in highlighting the omnipotence of the mountains and the immensity of the Alps. When I photograph mountains in black and white, I hear their heartbeat. I feel it brandishing its vertiginous summits towards the sky. Victorious in the mist, it calls out to you too. Contemplate it, listen to it. Black and white, far from the mirage of color, opens the way to the essential.

From shadow to light: the mountain in black and white, a source of emotions

Contrasts punctuate my life as they transcend my work. Happiness follows despair, doubt gives way to quietude and pain to joy. Every day, the mountain reminds me of the present. To the duty to carry on despite setbacks. Because with tenacity, daring and hope, the horizon opens up and the best happens. The photograph I've been dreaming of for so many years, the climb I've prepared so hard for. Moving forward, whatever the cost, persevering and always believing in the power of nature.

Just as shadow becomes light, poetry emanates from black and white. The sudden darkness of steep faces, the glittering reflections of immaculate snow. The flood of clouds that adorn the mountains in a changing monochrome. Repainted in black and white, the mountain exudes so many emotions that I can't take my eyes off it. Contemplating it like this, I perceive fierce immensity, magnificence. Infinite solitude and serenity. Power and grace. By choosing to photograph mountains in black and white, I'm conveying emotions and truths.

Thomas Crauwels in the mountains at night, under a starry sky lit by the light of a headlamp
Thomas Crauwels during the ascent of Nordend (4608 m)

Black and white mountain photography: a timeless testimony

Despite the brilliance of its eternal snows, the mountain is suffering, and I'm there to witness it. Every day, it changes. Its glaciers melt, its seracs fall. Its flanks disintegrate and metamorphose. In the face of climate change, the Alps howl in silence. I'd love to soothe them, to tell them that everything will work out. But their fate is now sealed. What can we do in the face of the inevitable? Reveal, transmit and immortalize. This is my quest.

Black and white gives the mountain a timeless silhouette. Far from any landmark, it is adorned with eternity. By photographing it in this way, I give it a new lease of life. It's a light that shines out of the abyss. Its silhouette gains in presence, its glaciers shine again. The snow, so fleeting, seems immutable.

By photographing the mountains in black and white, I preserve their memory. From one season to the next, my work traces the evolution of landscapes and the transformation of the Alps. I see my art as part of the legacy left to the world by the high mountains. A precious testimony, a call to life. Isn't that also the role of the artist? To reveal to the world the torments of his muse? Her appalling sorrows as well as her flamboyances? Her stigmata and her most beautiful dances? Black and white is a universal language, transcending borders and the passage of time. By freezing history, it urges it to survive. And so I like to think that my photographs perpetuate the memory of the giants of the Alps.

Black and white mountain photography demands the best from me. I put my heart and soul into it. My artist's eye gives it a personal touch, of course. But nature is king, and I bend to her will. It's up to me to watch the cadence of the winds, the movement of the Alps in the grip of the elements. It's up to me to be there when the magic happens, when summits is reborn in its most beautiful guise. Finally, it's up to me to choose the right vantage point. The one that will reveal the mountain as it expects me to. Only then will I have accomplished my mission. That of a mountain photographer devoted to the Alps and their greatness.

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Vittorio Sella

Vittorio Sella (1859-1943) was one of the leading photographers and mountaineers of the late 19th and early 20th centuries. He was the nephew of Quintino Sella, one of the founding members of the Italian Alpine Club (1863). He was as famous for his photography as for his climbing. Sella himself said he had decided to combine photography and mountaineering from 1880 onwards, and was only interested in the high regions of the Alps, as yet little explored and unphotographed - even though, as we have seen elsewhere articles, several pioneers had already taken photographs in the Alps. Sella took advantage of the ...
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Thomas Crauwels

Thomas Crauwels

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